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The Traveller is an Egyptian film that follows Hassan on three different days in his life in three different places. In Port Said 1948, Hassan (El Nabawy) meets Nura (Abdel Nour),who he initially charms but ultimately rapes aboard a ship. In Alexandria 1973, Nura’s daughter Nadia reaches out to a much older Hassan (Sharif) upon the death of her last remaining family member; her twin brother. Upon meeting her, he realises that he is her father, but ultimately shirks the responsibility that comes with the discovery. In Cairo 2001, Hassan meets his grandson Aly (Ramzy) and tries to establish a connection with him.
To say that this film is muddled, vague and confusing is an understatement. You won’t understand much while watching it, but a few hours and a couple of thousand brain cells later; you’ll start to piece together your own personal interpretation of the story and the characters. In this reviewer’s opinion, the film is trying to say something about both masculinity and family.
Hassan’s first conversation with Nura involves her telling him about her admiration for brave men. A short while later he rapes her after telling her that he knows she likes her men daring and forward; almost as if justifying the assault. Hassan rapes Nura as a way of living up to expectations of masculinity, as well as her own thrill-seeking carefree approach to life. During the second act, these same expectations ended up killing their son, who dies in the middle of a foolhardy stunt.
In the third act, upon meeting Hassan as an old man, we find that he is still as susceptible as ever to society’s definition of masculinity. He goads his grandson into picking a fight, hits on an attractive doctor and glorifies dangerously stupid, highly macho acts that supposedly prove your worth as a man. In contrast to his grandfather, Aly isn’t as confined by these constructs. You also get the feeling that Aly is, more or less, happy the way he is and that he only caves to his grandfather’s pressure in an attempt to forge a deeper connection with his deceased uncle and namesake.
The familial theme is slightly less obscure. The film shows Hassan’s growth over the years. When it starts out vibram five fingers shoes , his only interest is getting the girl no matter what. During the second act, he realizes that his actions bore him children that he has no desire to take responsibility for. Upon growing old, he yearns for a family and attempts to delude himself into thinking that he might have had a relationship with the son whose existence he was never aware of until his death. He clings to the only family member he has left, namely his grandson Aly, even though they have nothing in common.
Having such a boorish central character means that the film is fighting an uphill battle; especially as he never actually shows signs of remorse or regret. In fact, there is a part when you can tell that he is this close to sexually assaulting another woman. As the younger Hassan, El Nabawy comes across as predatory and sleazy while Sharif, as the older version of Hassan, plays the befuddled and lonely old man very well. The problem lies in the disconnect between the stages and in the fact that both Nura and Nadia, as the film’s victims, come across as highly passive and completely spineless. On the other hand, Ramzy’s Aly is possibly the only well-rounded character. He is allowed to come across as strong yet vulnerable, smart but impressionable; making him one of the more interesting characters.
The Traveller is not a commercial film nor is it trying to be. It may not entertain you, it may even infuriate you but it will get you thinking – even if just to make sense of it. In addition, it’s worth a watch just for the novelty of seeing an Egyptian period piece.

Suppliers are looking for someone who can change Daniel Radcliffe on Broadway have realized out who that special someone is going to be, one of the Jonas siblings. Nick Jonas is treading in for the role of J. Pierrepont Finch within the next years approaching Broadway of ‘How to achieve in Business Without Really Striving.’ He will play the role pertaining to months on end across the nation. He could be actually looking towards it as well as thinks it’ll be an exciting journey across Broadway.
Radcliffe will have one final performance, and they’re going to bid your ex farewell pertaining to awhile. This can be one of the biggest movements he has to create cheap coach purses outlet , and allowing Nick Jonas take over with regard to him is one area that brings him or her joy given that he knows that he is going to perform such a congrats. This can be some thing worth while eventually. They will anticipate practicing with him, as well as seeing just what he can.
He isn’t all too knowledgeable about Broadway, but he knows that he will quickly realize it an exilerating and gratifying experience general which is exactly what he is looking for. Not only that, however a change coming from his normal every day regimen would be great he says. Everything has been arriving your way for that auditions 2012.
Radcliffe is sad to be leaving the Broadway stage and letting someone else take his direct part, nevertheless this is what should be done. She has other things for attending for the moment. He’ll almost certainly definitely be coming back to takes place soon, fo the time being he has to carry out what he needs to do which thing will be movies. Not only has the Harry Knitter scene took the stage, just about all means that he was able to terrain other jobs, much larger jobs than Broadway. Increase the risk for next new career join 2012 auditions.
Broadway is one thing that Radcliffe would rather do, yet sometimes simply dip your feet into additional waters to check them out. He can usually go back and also have lead tasks on Broadway because of the wonderful perform that he has done. That is something that they looks ahead too. The world awaits their return, and when you have seen Broadway than you want to observe one with Radcliffe in it. A number of people just go to determine the many some other talents associated with Harry Potter, even though he is not truly Harry Potter. This really is something that he doesn’t mind even so. The more people he can get into the place, better he says. They loves a substantial audience. The coming 2012 movie auditions is preparing join today.
Another reason to look see Broadway now’s Nick Jonas. We want to discover what he is able to do while on the stage, which could be done when considering down to it. You wish to make sure to obtain what you want out of your ticket, and seeing one of several Jonas brothers up there on period singing and dancing, and also acting your parts will be well worth it in the long run.

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Some say that all houses have memories. For one man, his home is the place he would kill to forget. Daniel Craig, Rachel Weisz and Naomi Watts star in ‘Dream House,’ a suspense thriller about a family that unknowingly moves into a home where several grisly murders were committed…only to find themselves the killer’s next target. Successful publisher Will Atenton (Craig) quit a job in New York City to relocate his wife, Libby (Weisz), and two girls to a quaint New England town. But as they settle into their new life, they discover their perfect home was the murder scene of a mother and her children.
And the entire city believes it was at the hands of the husband who survived. When Will investigates the tragedy, his only lead comes from Ann Paterson (Watts), a neighbor who was close to the family that died. As Will and Ann piece together the disturbing puzzle, they discover that the story of the last man to leave Will’s dream house will be just as horrifying to the one who came next.
In 1948, RKO Studios needed a rural setting in which to film exteriors for their comedy ‘Mr. Blandings Builds His Dream House’. Their neighboring studio, 20th Century Fox cheap coach purses outlet , had 2,000 acres of dramatic landscape in the Malibu hills that served as their location ranch, so a deal was made and construction began.
Many films were shot (at least partly) at Fox Ranch, most notably ‘How Green Was My Valley’; ‘Viva Zapata’ with Anthony Quinn and Marlon Brando; the ‘Daniel Boone’ television series with Fess Parker; ‘Love Me Tender’ with Elvis Presley and ‘Dr. Dolittle’ with Rex Harrison. Perhaps the two most famous films shot there were a part of the famous cliff jump scene from ‘Butch Cassidy and the Sundance Kid’ and the original ‘Planet of the Apes’ with Charleton Heston and Roddy McDowell. The best-known production staged at the ranch was the beloved M*A*S*H television series where exteriors were shot for 11 years.
Parks departments nationwide are chronically underfunded, so it should be no surprise and perhaps it is cosmically fated, that the once breathtaking Blandings house is now quite bland. It remains however, as administrative offices for park employees and as an important part of the history of Malibu Creek State Park.
Mr. Blandings Builds His Dream House” is a mildly amusing comedy with strength enough in star names to pull through to satisfactory grosses. Cary Grant’s boxoffice value will be an important aid in boosting initial ticket sales, and names of Myrna Loy, Melvin Douglas and others are marquee familiars.
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Eric Hodgins’ novel of the trials and tribulations of the Blandings, while building their dream house, read a lot funnier than they filmed. Norman Panama and Melvin Frank come through with a glossy luster in handling physical production, but failed to jell the story into solid film fare in their dual scripting.
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A new feature film retells William Shakespeare’s ‘Romeo and Juliet.’ In Yiddish.
Aptly titled ‘Romeo and Juliet in Yiddish,’ it’s been screened for enthusiastic audiences in London and Berlin, where it won the audience favorite award at the Berlin Jewish Film Festival.
On Sunday, January 16, the movie has its U.S. debut at Lincoln Center as part of the New York Jewish Film Festival. The film stars first-time actors who left their close-knit Chasidic communities in Brooklyn.
It began in 2006 when director Eve Annenberg stumbled upon Chulent, a weekly gathering of edgy Orthodox and formerly Orthodox Jews. Annenberg, a secular Jew who lives in Manhattan, was very much taken with the Chasidic garb, which struck her as Shakespearean, and the sound of people speaking in Yiddish, the language of her grandparents.
‘Hearing Yiddish spoken natively by very young people ‘ it’s absolutely exhilirating,’ Annenberg said. ‘It doesn’t matter if you don’t speak Yiddish. I don’t speak Yiddish.
The director got a group of young men who left the Satmar community in Williamsburg to translate Shakespeare’s play into Yiddish, which took a year. Over the course of that time, Annenberg was greatly entertained by the stories of two of the dropouts, who lived in a van and engaged in such ‘youthful hijinx’ as marijuana smuggling, credit card fraud and fabricating lost baggage claims at airports.
‘It was really cinematic, funny stuff,’ Annenberg said. ‘And I thought, ‘Wow! We can use all this. This is great. Let’s share this. Let’s put it up on the screen. Let’s tell it now.”
Mendy Zafir was about 17 when he left Satmar. He has a face that’s been described as angelic. Today, Zafir is 26 and runs a marketing business in Boro Park that serves the Orthodox community. He still remembers those first weeks and months away from Satmar without any marketable skills, unable to speak English.
‘I once slept on the subway for a month with a friend of mine, and I use to sleep in a van with Lazer,’ he said of his friend Lazer Weiss, who also stars in the film.
Those days living in a van are recreated in the film.
In one scene they are lying down on makeshift beds in the van when a call comes in. Would they like to work on a translation of ‘Romeo and Juliet’ into Yiddish?
Weiss asks if the woman who they would work for has food, chocolate or weed.
Isaac Schonfeld, who coordinates the Chulent gatherings, said the young actors in the film who left the religious life are traveling down an arduous path.
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‘You’re leaving community, you’re leaving family, you’re leaving friends, you’re leaving ritual, you’re leaving comfort,’ he said at one of the late night Chulent parties. ‘I mean, if you want to make someone insane right quick, take away all those things.’
The young men and women in the film grew up in chasidic households with no TV. They never went to the movies until they left home. Despite their deprivation of the pop culture staples, a couple of them show real promise as actors, according to Eve Shapiro, an acting teacher at Julliard who coached them. She was charmed by Weiss and Zafir, who play Romeo and Benvolio, respectively.
‘They have charisma and that’s something you cannot teach. You either have it or you don’t,’ said Shapiro, who trained British actors Alan Rickman and Jonathan Pryce at the Royal Academy of Dramatic Art in London.
In Annenberg’s cinematic retelling of ‘Romeo and Juliet,’ the warring Montague and Capulet clans bear a distinct resemblance to the Satmar and Lubavitch Chasidic sects, the character of Friar Lawrence has been transformed into Rabbi Lawrence and Juliet’s famous ‘Wherefore art thou?’ soliloguy is delivered from a Brooklyn fire escape.
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There’s a brief bit of nudity in a scene in which Romeo and Juliet are seen through gauzy fabric romping in bed. Such material would be problematic for observants Jews, who observe tznius, or sexual modesty. A post on an Orthodox Jewish woman’s Web site, imamother.com, referred to the movie as a chillul ha shem, a desecration of God’s name. Actor Lazer Weiss, who plays Romeo, bristles at such talk.
‘This is not a chillul ha shem. This is something beautiful,’ Weiss said. ‘And if you don’t get it, call me up and discuss it with me. But chillul ha shem doesn’t make any sense because it’s not even close to what we trying to do here.
Malky Weiss, who plays Juliet and grew up in a Satmar family in Boro Park, has six sisters and at least one will see the film at Lincoln Center.
‘One sister for sure and another sister might come see it,’ Weiss said. ‘I don’t want anyone else to come see it. They would just get angry and not really get the movie.
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Weis fell in love with Lazer Weiss, the actor who plays Romeo, during the making of the film. They’re now living together in the so-called hipster section of Williamsburg and working on a screenplay of their own. It’s a comedy about the clash of hipsters and Chasidim in their neighborhood.
Director Eve Annenberg hopes to film another Shakespearean classic in Yiddish this summer.
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The experts at The Arts Desk have released their latest batch of film reviews. From remade classics to Hollywood animation to thought-provoking documentaries, they separate the good from the bad and the just OK.
After watching Gregg Araki’s ‘Kaboom’, Emma Simmonds felt that his return from mainstream success to his psychedelic Nineties shtick was not altogether successful. Thomas Dekker plays the character of Smith, who is a horny college student whose life becomes muddied with sex, drugs, witchcraft, hallucinations and possibly murder. Despite some enjoyable anarchy, what worked before now feels irrelevant, perhaps making this a movie enjoyable only for diehard Araki fans.
Director Fred Cavay’ seemed to fare better with Adam Sweeting, who thought his thriller ‘Point Blank’ managed to effectively avoid the usual clich’s. According to Sweeting, Gilles Lellouche was a smart choice to portray the character of an ordinary man desperately trying to save his pregnant wife from kidnappers, while finding himself irresistibly swept up in his panic by the film’s relentless pace.
Nick Hasted found that Jack Black’s loveable martial artist, Po the Panda, offered less charm the second time around in DreamWorks’ animation, ‘Kung Fu Panda 2′. Although there’s no doubt that kids will be clambering to see it, its big idea is losing steam, despite the film-makers’ decision to give Po a Bambi-esque back story.
Kevin MacDonald’s ‘Life in a Day’, a documentary film consisting of YouTube videos uploaded by people who filmed what they got up to on 24 July 2010, interested Alexandra Coghlan. A feat of editing brings out the universal stories and correlations of human life, from shaving to sky diving. However, despite this achievement, Coghlan concluded that the less contrived experience of watching the unedited leftovers on the dedicated YouTube channel, proved even more exciting.
The latest DVD movie releases were also reviewed by The Arts Desk. Alexandra Coghlan goes on to admire the Coen brothers’ remake of the classic John Wayne western ‘True Grit’, Graham Fuller finds Robert Aldrich’s restored Cold War cult noir ‘Kiss Me Deadly’ – complete with some fascinating DVD extras ‘ well worth a second look and Fisun G’ner is intrigued by Heinrich Breloer’s award-winning 2005 docudrama ‘Speer and Hitler: The Devil’s Architect’, which, via film, archive and modern-day interviews, tries to unravel the perplexing figure of Albert Speer ‘ the Third Reich architect and minister whose true level of complicity in Nazi atrocities remains something of a mystery.
Film reviews aside, The Arts Desk also interviewed film director Ron Peck ‘ whose debut feature, ‘Nighthawks’ (1978), has been labelled Britain’s first openly gay film. Peck talks to Tom Birchenough about the future of British independent film ‘ a future where everyone’s a film-maker and the internet is their distributor.